Night of the Comet


Womanthology: Space #5

All of this stories in this issue — the last one of this particular series, though I wouldn’t be surprised to see more on the way soon — are on a broad, common theme: not just stories related to space, but stories about comets. We get a story about an unsually tall girl who loves to run by Barbara Randall Kesel, Diana Nock, and Amauri Osorio; a tale about a robot who installs itself into a voiceless human body to visit the performer he loves by Allison Pang, Chrissie Zullo, and Amauri Osorio; a story about a couple of nogoodniks in 1666 who set out to steal some brandy by Laura Morley, Sara Richard, and Amauri Osorio; a mythological take on the formation of comets by Cecil Castellucci, Kel McDonald, and Amauri Osorio; and a futuristic dystopian story in which a comet’s coming is believed to be a sign of God’s disfavor by Kiala Kazebee and Isabelle Melancon.

Verdict: Thumbs up. Quite aside from the fact that all the stories are excellently written and excellently illustrated, I just want to say that I loved the way the comet theme was used in this issue. You had someone who dressed up as a comet, Halley’s Comet as a background element of a story, an allegorical story about comets, and even a well-known performing artist who takes a tumble out of a dirigible — a falling star. That broad theme gives all the creators an opportunity to create a very wide variety of fun stories.


Captain Marvel #10

Carol Danvers has been diagnosed with some sort of ailment and ordered by her doctor to stop flying — no flying planes, and no flying with superpowers either. I don’t know why there’s a medical connection between the two, really — is the ailment related to how high she goes? Beats me, and no one bothers to question the whole thing. At any rate, Captain Marvel thinks the whole thing is a load of hooey, so she does a little flying. She manages to save a subway car trapped in a sinkhole, but she has some odd blackouts. Plus she’s being stalked by an old enemy called Deathbird. Can Captain Marvel deal with a foe who knows she’s getting weaker? And what will be the ultimate cost of her decision to keep flying?

Verdict: Thumbs up, but just barely, and only because the story was not 100% idiocy. I could’ve dealt with the silliness of the story just fine if it weren’t for the problem of the abysmally bad artwork by Filipe Andrade. I don’t know what kind of blackmail material he’s got on Marvel, but it must be pretty spicy. Really, this comic may be the only one I know of where the interior art is always in a style that’s entirely different than the (completely gorgeous) art on the covers.


  1. Buryak Said,

    February 26, 2013 @ 4:59 am

    I don’t know, I kinda like his art. Its has a kid’s manga/indie comic/European style feel to it. It doesn’t really fit for a character like Captain Marvel though, but I don’t hate it either. Just an opinion. But you’re right about the stark contrast between the cover and interior art. I know I was a tad dissapointed about it not being the same from the cover to the inside pages. I think the cover art fits the character better.

    Hey, at least its not Liefield drawing it. Be thankful for small favours.

  2. scottslemmons Said,

    February 26, 2013 @ 5:40 am

    There is at least that… though Liefeld gets a disturbing amount of work these days… 🙂