The Old and the Young

AstroCity18

Astro City #18

It’s the beginning of a new storyarc focusing on Crackerjack and Quarrel. The occasion of the retirement of the Black Rapier just reminds everyone that a lot of the classic Astro City characters are getting up there in years. Quarrel and Crackerjack still go out there to fight crime, but a near-disaster against the new Chessmen leaves both of them exhausted, sore, and in dire need of downtime. And we also get the backstory of Quarrel — her childhood in rural Kentucky, looking up to her father, and never suspecting he was actually a supervillain — but eventually taking up his weapons and learning to use them to fight crime…

Verdict: Thumbs up. Not really the kind of story we expect to see in superhero comics, but if anyone would end up doing it well, it’d be Kurt Busiek and Astro City. It’s weird to think of characters like Quarrel, Crackerjack, and the Black Rapier as getting old enough to retire — but just because Samaritan and Winged Victory don’t seem to get old, that doesn’t mean that the more human heroes can’t feel the weight of the years. And if anything’s really distressing, it’s got to be that fans of the series remember when they were in their prime — and that means we’re all getting old, too. Please insert the sadface emoticon here.

Batgirl37

Batgirl #37

Before we get too far into this issue, may we all take a quick moment to gasp in joy at this issue’s alternate cover by Darwyn Cooke?

Batgirl37-DCooke

Holy cheese, that’s an awesome cover!

Someone out there is impersonating Batgirl, running around in a sequined costume, helping high-fashion crooks, and simultaneously pushing Batgirl to greater heights of popularity and ruining her reputation as a crimefighter. Babs learns that she’s the focus of an art show by an artist named Dagger Type and pays it a visit with Black Canary and some of her college friends, and this leads to even more confrontations with the Batgirl imposter — and soon to the revelation of her true identity: Dagger Type himself!

Verdict: Good grief, it’s so not very good. I mean, there’s the jaw-dropping stupidity of the reveal — after Gail Simone’s famously trans-positive run on this title, to have the new creative team head almost immediately for an embarrassingly ham-fisted portrayal of an over-the-top nutcase cross-dressing villain — it just doesn’t make anyone look very smart. The creative team has already apologized, but it’s a serious mis-step. On top of that, the rest of the story just feels shallow. It’s Batgirl worried about someone stealing her act, then attending two different art shows, whining about her image, and capping the whole thing off by triumphantly… putting her selfie on Instagram. I’m all for making sure our characters exist in a recognizably modern world, but this all comes across like the celebrity-obsessed superheroes in Grant Morrison’s recent “Multiversity: The Just” issue — and that’s not a good thing.

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