Archive for Sword of Sorcery

The Vanishing

Hey, I got a lotta comics last week, and they were all pretty good. I don’t think I got time to review all of ’em, but here’s some of the stuff I thought was cool.

Snarked #12

The final issue of this series?! What the heck, no one had any clue this one was ending. But it’s a good ending. Our cast of heroes has to do battle with the Snark — who is also a Boojum. That means he can make you disappear, throwing you forward in time 20 years, if you look at him without wearing special goggles. And a very important cast member loses his goggles…

What we’re left with is a bittersweet ending, but still a very sweet tale. Y’all go get it if you’ve been reading it, or pick up the eventual trade paperback. It’s a good one.

Sword of Sorcery #0

I liked it. A fairly familiar story — young outsider discovers she’s actually a princess in another world — but it’s well-told and entertaining. The backup feature, featuring a far-future sci-fi variation on the “Beowulf” story.

The sticking point for a lot of people is the attempted rape in the “Amethyst” story. It’s not a good thing, and it’s entirely unnecessary for the story. It reads like someone decided to prove it’s “not a little girl’s story” which happens just too damn often.

Perhaps more depressing, however, are the comments at the end of Chris Sims’ very nice article about it — most of the commenters seem to have an attitude of “Hey, we want comics with more rape!” Maybe we get the crappy comics we deserve.

Oh, also? The Who’s Who page in the back says Amethyst was first introduced in this very issue. It’s not so. Amethyst, Princess of Gemworld made her first appearance in April 1983, in Legion of Super-Heroes #298. She was created by Dan Mishkin, Gary Cohn, and Ernie Colón.

Avengers Academy #37

It’s the students’ final stand against Jeremy Briggs’ villainy. A few surprising choices are made. And it’s a very good issue — great action and dialogue and a moral core to the tale that carries it over the top.

Only one more issue of this, and that’s a huge disappointment.

Wonder Woman #0

A wonderful little story about Princess Diana’s teen years, stealing a harpy’s egg to commemorate her birthday, getting her teen angst on when people make fun of her (supposed) origin as a clay statue, being trained by Ares, and battling the minotaur. It’s a very, very nice story, and I had a blast reading it.

And again, the Who’s Who page gets things irritatingly and insultingly wrong. It says Wonder Woman’s first appearance was in 2011. But she had her debut in All Star Comics #8 in December 1941. She was created by William Moulton Marston and Harry G. Peter. You’d think they’d get this right because Marston’s name is on Page 1 as the character’s creator, and he sure as heck wasn’t around in 2011.

Womanthology: Space #1

A new anthology focused on spotlighting the work of women creators gets started, this time with the focus on science fiction. We get stories by Bonnie Burton, Jessica Hickman, Sandy King Carpenter, Tanja Wooten, Allison Ross, Stephanie Hans, Ming Doyle, Jordie Bellaire, Stacie Ponder, and Rachel Deering, and they’re all pretty good…

And since this is a new miniseries, we can look forward to a few more months of cool comics created by women. Too bad DC and Marvel aren’t so good about working on that…

Batwoman #0

We get a short look back at Kate Kane’s younger years, from her childhood, through mourning the death of her mother and the supposed death of her twin sister, being accepted to West Point, then being drummed out of the military, trying to find a purpose to her life, and the long, hard years of training that her father put her through to make sure she was really ready to become a crimefighter.

It’s a great story. It’s got great action, the plot zips along like lightning, and there are tearjerker moments you won’t believe. It’s an astoundingly good comic book.

And again, because it’s important not to let DC tell stupid lies about this stuff, but Batwoman wasn’t created in 2011, no matter what the Who’s Who page says. The modern Kate Kane debuted in 52 #7 in 2006.

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