Well, 2012 is almost over, and I’m absolutely delighted to see it go. This has been, without a single doubt, the absolute worst year of my life.

My grandmother died in January — she was 100 years old, but nope, you’re never prepared for that, never, never. Three friends died of cancer. We lost Ray Bradbury. I was diagnosed with diabetes. “City of Heroes” was shut down.

Oh, I know, there are lots of ways it could’ve been worse. Lots of people have gone through more horrible things this year, and I’ve got it relatively good. My family is healthy and happy. I have a job that keeps a roof over my head, food on the table, and comics in the longboxes. I’ve lost about 45 pounds since July, and my health is overall pretty good.

Nevertheless. It’s been a deeply unpleasant, depressing, sorrowful year, and I won’t be at all sad to see it end.

And ya know, this hasn’t been a very good year for comics, either.

We’ve had to sit through DC firing Gail Simone from “Batgirl” for no apparent reason (and then hiring her back when they realized that she was much more popular than anyone else at the company); DC shutting down “Hellblazer” so they can try to turn John Constantine into a superhero; fans responding to the (truly awful sounding) Amazing Spider-Man #700 by making serious death threats against writer Dan Slott (Pff, like Slott came up with that? Joe Quesada and Alex Alonso probably thought that one up, then assigned him to work on it.); DC just straight up being a dick to Alan Moore almost all year long with the (mostly ignored by readers) “Before Watchmen” comics.

And dominating geek news for the entire year has been the bizarre hostility in comics and gaming toward anyone who isn’t a straight white male. In a lot of ways, the gaming industry has been far worse with the hating-on-everyone problem, but the new obsession with Fake Geek Girls is largely focused on the comics fan community, especially cosplayers. Tony Harris’s bizarre misogyny helped play it up, but DC and Marvel have had more than their fair share of He Man Woman Hater moments, too. Really, would you be particularly surprised if Dan DiDio announced he was firing all the female creators at DC?

I’m probably forgetting some really important awful moments for comics, too, but there have just been so dang many of them…

Even the year’s major successes — the films of “The Avengers” and “The Dark Knight Rises” — were really to be attributed more to the skill, talent, and imagination of movie studios than to comics publishers.

DC, of course, has been the leader in bad comics and bad decisions. Marvel’s been a bit better, but has still shown too much enthusiasm for dull crossover events and poor judgement. The independents have been better than both of the Big Two — and yet I’ve still felt mostly bored with the comics that’ve been released this year.

I went through my pull-list earlier this year and stripped a lot of it out. I was tired of spending so much money on comics, of having to find storage space for all my books. And a lot of what I got rid of was actually pretty good. Scott Snyder’s Batman comic, for example, got pulled off my list. It was just fine, Snyder’s still a fantastic writer, and his work on the Dark Knight is just plain some of the best work anyone’s done with him for years. But I still took it off my list because I wasn’t excited about it. It wasn’t a book I looked forward to getting anymore. There were lots of comics like that — The Massive, Dark Horse Presents, Dial H, Demon Knights, Fatale, Frankenstein, Morning Glories, Popeye, Saucer Country, Unwritten, even B.P.R.D. — and I don’t really regret taking any of them off the list.

So what are my picks for my favorite comics of 2012? Here they are, in alphabetical order…

American Vampire

Still the best and most gloriously visceral horror comic we’ve got. Great characterization, art, and plotting make it a winner every issue.

Atomic Robo

Possibly the most consistently fun and entertaining comic out there. Any comic fan who isn’t reading this is utterly, utterly mad.

Avengers Academy

Cancelled long before its time, I loved this one for the great characterization and for its refusal to fall into the same boring traps as other teen-oriented comics. Random, shock-value deaths were avoided, and the heroes got out of plenty of problems by talking instead of fighting.

Axe Cop

This remains one of the best humor comics you’ll find — the Nicolle brothers are still hugely imaginative, funny, and audacious, even years after they started their comic.

Batwoman

Month after month, the best art you’re going to find in any comic book on the stands.

Daredevil

Probably the best pure superhero comic out there. Mark Waid’s Daredevil is fun, charismatic, clever, action-packed, and just all-around fantastic. And the art is usually pretty darn good, too.

The Goon

Rude? Yes. Hilarious? Yes. Unexpectedly emotional? Yes, yes, yes. Eric Powell would probably kick my ass for saying it, but he’s got more heart than any other comic book creator.

Love and Capes

This superhero sitcom is light on the action, but heavy on the humor, awesome characterization, and brainy storytelling. I would like more of you to read this, please.

Punk Rock Jesus

An amazing story combining religion, punk rock, politics of all stripes, science fiction, and our global obsessions with pop culture and entertainment. Sean Murphy deserves to win all kinds of awards for this.

Snarked

A very fun modernized re-telling of Lewis Carroll’s “The Hunting of the Snark.” Great characters, dialogue, humor, and action, all wrapped up in a very friendly all-ages bow. I want Roger Langridge to make more and more comics, that’s all there is to it.

Wonder Woman

This isn’t really a superhero book at all — it’s part horror comic, part urban fantasy, part reboot of the ancient Greek myths. Half the fun of this is seeing what bizarre new forms the Greek gods and monsters will take.

So that’s what I’ve got for this year. I left off a lot of good comics — books that debuted in only the last few months, books that were cancelled in the first month or two of the year, books that were of unquestionably high-quality but which were nevertheless boring me when I finally dropped them.

What can we hope for in the future? I’m sure not dumb enough to try to make predictions, but I’d like to think that, after a year this bad, there’s nowhere the comics industry can go but up. Unfortunately, my optimism bone done got snapped off, and it wouldn’t shock me a bit to see things get even worse in 2013.

Hold on to your hats, and pray for miracles.

Avengers Academy #39

It’s the final issue of “Avengers Academy,” one of Marvel’s best series. Let’s start off by congratulating Christos Gage, Tom Grummett, and the other artists who worked on the series. It was great fun almost all the way through, and a great example that a superhero series can break the mold in numerous ways and still enjoy some success. I just wish it had enjoyed a bit more success…

What we get here is a lot of wrap-up of character stories. X-23 and Finesse essentially agree to disagree. Striker goes on a date and starts adjusting to his status as a gay icon. Hazmat and Mettle take their relationship to the next level. Reptil and White Tiger start their own relationship, as do Lightspeed and Karolina Dean. The students reveal to their teachers that they’ve known all along that they were considered potential supervillains, and they also learn what their future is with the Avengers.

Verdict: Thumbs up. An excellent ending for an excellent series. Great emotional moments for almost everyone — yes, even Finesse. My only regret is that most of the cast members here will be moving on “Avengers Arena,” where they’re scheduled to be pointlessly killed. But it was a good run while it lasted.

The Hypernaturals #5

While the Hypernaturals try to solve the mystery of what destroyed the previous Hypernaturals team, they track down a couple of stray clues — they search for the significance of something called the Chernovski Event, and they try to track down the mysterious Clone 21, the only one of the Clone series to go into hiding. Meanwhile, former member Stellerator, desperate for a cure for her husband, who was de-aged by Sublime, agrees to break the supervillain out of prison so he can find out who’s been impersonating him.

Verdict: Thumbs up. It’s still good, futuristic fun, like an alternate version of the Legion of Super-Heroes. Excellent action and dialogue, and tons of intrigue and mysteries. Mysteries piled on top of mysteries, in fact. The characterization is pretty good, too. All in all, it’s a lot of fun.

Worlds’ Finest #6

While Huntress visits Gotham City to steal a few million dollars from Bruce Wayne, to help finance her activities, she runs into Damian Wayne, who is essentially her alternate universe half-brother. They spend at least half the issue beating the heck out of each other. Power Girl, meanwhile, is focused on her own research, which generally involves highjacking some computing cycles from communications satellites and avoiding any contact with Supergirl.

Verdict: Thumbs up. Great action and beautiful art by both Kevin Maguire and George Perez. Still can’t stand Power Girl’s new costume — not like anyone else can either. That’s probably the only thing they’d have to fix to make this series even more enjoyable.

Love and Capes: What to Expect #3

Aside from the pregnancy preparations we’d expect from this series, including an agreement between Abby and Mark to let the baby’s gender be a surprise and Abby’s distress about all the women who tell her horror stories about pregnancy, Darkblade takes on three new sidekicks, and Amazonia gets some bad news from home.

Verdict: Thumbs up. Good stuff, funny, nice dialogue, clever situations, and even some cliffhangers to up the tension.

Avengers Academy #38

Okay, it’s not the end of the series, but we’re getting close, as the Avengers Academy students and teachers play a game of flag football against the students and teachers at the Jean Grey School for Higher Learning, which is headmastered by Wolverine. Nothing too serious going on, mostly just hijinx.

Verdict: Thumbs up. Like I said, mostly silly stuff, but this series deserved a break from the serious crises and angst.

Hey, I got a lotta comics last week, and they were all pretty good. I don’t think I got time to review all of ‘em, but here’s some of the stuff I thought was cool.

Snarked #12

The final issue of this series?! What the heck, no one had any clue this one was ending. But it’s a good ending. Our cast of heroes has to do battle with the Snark — who is also a Boojum. That means he can make you disappear, throwing you forward in time 20 years, if you look at him without wearing special goggles. And a very important cast member loses his goggles…

What we’re left with is a bittersweet ending, but still a very sweet tale. Y’all go get it if you’ve been reading it, or pick up the eventual trade paperback. It’s a good one.

Sword of Sorcery #0

I liked it. A fairly familiar story — young outsider discovers she’s actually a princess in another world — but it’s well-told and entertaining. The backup feature, featuring a far-future sci-fi variation on the “Beowulf” story.

The sticking point for a lot of people is the attempted rape in the “Amethyst” story. It’s not a good thing, and it’s entirely unnecessary for the story. It reads like someone decided to prove it’s “not a little girl’s story” which happens just too damn often.

Perhaps more depressing, however, are the comments at the end of Chris Sims’ very nice article about it — most of the commenters seem to have an attitude of “Hey, we want comics with more rape!” Maybe we get the crappy comics we deserve.

Oh, also? The Who’s Who page in the back says Amethyst was first introduced in this very issue. It’s not so. Amethyst, Princess of Gemworld made her first appearance in April 1983, in Legion of Super-Heroes #298. She was created by Dan Mishkin, Gary Cohn, and Ernie Colón.

Avengers Academy #37

It’s the students’ final stand against Jeremy Briggs’ villainy. A few surprising choices are made. And it’s a very good issue — great action and dialogue and a moral core to the tale that carries it over the top.

Only one more issue of this, and that’s a huge disappointment.

Wonder Woman #0

A wonderful little story about Princess Diana’s teen years, stealing a harpy’s egg to commemorate her birthday, getting her teen angst on when people make fun of her (supposed) origin as a clay statue, being trained by Ares, and battling the minotaur. It’s a very, very nice story, and I had a blast reading it.

And again, the Who’s Who page gets things irritatingly and insultingly wrong. It says Wonder Woman’s first appearance was in 2011. But she had her debut in All Star Comics #8 in December 1941. She was created by William Moulton Marston and Harry G. Peter. You’d think they’d get this right because Marston’s name is on Page 1 as the character’s creator, and he sure as heck wasn’t around in 2011.

Womanthology: Space #1

A new anthology focused on spotlighting the work of women creators gets started, this time with the focus on science fiction. We get stories by Bonnie Burton, Jessica Hickman, Sandy King Carpenter, Tanja Wooten, Allison Ross, Stephanie Hans, Ming Doyle, Jordie Bellaire, Stacie Ponder, and Rachel Deering, and they’re all pretty good…

And since this is a new miniseries, we can look forward to a few more months of cool comics created by women. Too bad DC and Marvel aren’t so good about working on that…

Batwoman #0

We get a short look back at Kate Kane’s younger years, from her childhood, through mourning the death of her mother and the supposed death of her twin sister, being accepted to West Point, then being drummed out of the military, trying to find a purpose to her life, and the long, hard years of training that her father put her through to make sure she was really ready to become a crimefighter.

It’s a great story. It’s got great action, the plot zips along like lightning, and there are tearjerker moments you won’t believe. It’s an astoundingly good comic book.

And again, because it’s important not to let DC tell stupid lies about this stuff, but Batwoman wasn’t created in 2011, no matter what the Who’s Who page says. The modern Kate Kane debuted in 52 #7 in 2006.

Today’s Cool Links:

• An excellent reflection on the seemingly inevitable end of “City of Heroes.”
• But luckily, lots of people are not ready to let the best superhero MMORPG die.
• The paradox of a feminist who likes superhero comics.
• Greg Rucka is really, really not happy with the current state of the Big Two.
• If you’ve got any interest in turn-of-the-century British supernatural fiction, you may enjoy reading this.
• And this tribute by the artist behind The Oatmeal to his beloved dog is just all kinds of adorable. I mean, a bit rude and crude, but still adorable.

Love and Capes: What to Expect #2

Abby and Mark continue their pregnancy preparations, including volunteering to babysit a friend’s baby to see how they handle pre-parenthood. Things don’t go as planned, though nothing truly disastrous happens.

Verdict: Thumbs up. Okay, not a whole lot happens in here. No smackdowns against crazed supervillains, no terrible crisis to solve, no danger or derring-do. But it’s a good, fun, funny story, so heck yeah, it’s a thumbs up.

Worlds’ Finest #0

We get a look back on Power Girl and the Huntress when they were Supergirl and Robin on Earth-2. Robin has her debut adventure, with the permission of her mother, Catwoman (though daddy Batman disapproves). Superman trains Supergirl for potential attacks by Apocalypse. Tragedy brings the two fledgling heroines together.

Verdict: Thumbs up. Very nice writing by Paul Levitz, and amazingly appealing art by Kevin Maguire. Honestly, I’d rather read about Robin and Supergirl than almost anything else DC is publishing right now.

Avengers Academy #36

Jeremy Briggs has depowered most of the Academy members, and he’s planning on depowering the rest of the world’s heroes and villains, too. Hazmat has gotten her powers back, Striker has gotten his face scarred, Mettle gets his powers back, but only letting Hazmat burn his flesh away, and White Tiger and Reptil have to persuade their own magic powers to come back to them. Will they be able to get the rest of the team’s powers back? Will they be able to stop Jeremy from releasing the Clean Slate virus?

Verdict: Thumbs up. I like these characters a lot. Even without their powers, they’re a lot of fun. Also, Hazmat and Mettle are just so awesome. I’m gonna miss this series so very much.

Love and Capes: What to Expect #1

Tom Zahler is back with a new mini about Abby Spencer, her husband Mark — better known to the world as the superhero Crusader — and their assorted friends and family. Abby’s pregnant, which brings many changes to their lives. Not even considering the mundane concerns — no alcohol, no caffeine, getting good prenatal care, putting aside money for college — there are other things to worry about when the baby’s father is a superhero — namely, what do you do about the danger of a super-baby kicking a hole in mama? In addition, we get to meet the second Doctor Karma, we learn if Mark can keep his big secret from Darkblade, and we get to sit in on the scene when Mark and Abby break the news to their parents.

Verdict: Thumbs up. Excellent humor, characterization, and dialogue. Really, I’m looking forward to this series so much, and I don’t know what else I can say about it.

Avengers Academy #34

Apparently, this is going to be the final storyarc before the series cancellation, which is too danged bad.

In the aftermath of the closing of Avengers Academy, the students are mostly on their own, until teenaged CEO and all-around shady character Jeremy Briggs calls Hazmat and Mettle to let them know he’s discovered a way to remove their powers and let them live normal lives. The rest of the students come along, mostly to make sure Jeremy isn’t planning on doing something rotten to them. But as it turns out, Jeremy’s “Clean Slate” formula returns Hazmat and Mettle to the forms they had before they got their powers. Unfortunately, he’s decided he wants to dose everyone in the world with Clean Slate — he thinks superheroes and supervillains are a huge problem, and he wants to make sure that the only people with powers are himself and whoever he decides is suitably loyal to him. And they’ve all been breathing in the Clean Slate formula ever since they got there.

Verdict: Thumbs up. Excellent intensity and characterization. We always figured Jeremy was a bad guy, but it’s nice to see that his level of villainy got cranked up extra high for this storyarc. I am disappointed, however, that the other teachers from the academy won’t be around for this arc.

Beasts of Burden: Neighborhood Watch

A quick one-shot for fans of Evan Dorkin and Jill Thompson’s great “Beasts of Burden” series. This collects the three stories that appeared a few months ago in “Dark Horse Presents” — so if you don’t shell out the bucks for DHP, you can still read them. So we’ve got a light-hearted story with the gang forced to deal with a chicken-stealing goblin, and second one with the wise dog telling some puppies about a heroic dog who fought against evil, and final one, particularly creepy, about a lost herd of sheep.

Verdict: Thumbs up. Excellent stories, with the last one being my favorite because it really is wonderfully eerie. Wonderful art and wonderful empathetic storytelling. These stories aren’t just about monsters and ghosts — they’ve got concerns about heroism, friendship, philosophy, and mortality.

Today’s Cool Links:

• What do you get when the Mini Marvels meet the Tiny Titans? You get pure whole-grain awesomeness.
• What did some of the greatest minds in science fiction think the future would hold?
• Here’s one of the really important stories to come out of this year’s Olympics.
• I don’t care what anyone says, this made me laugh and laugh and laugh.

Snarked #9

The Walrus, the Carpenter, Queen Scarlett, and Prince Rusty have finally found the dreaded Snark Island. But of course, one of the big problems with Snark Island is that it’s got a Snark on it, and no one wants to mess with a Snark. It’s has plenty of other problems, too, including treacherous cliffs, deadly traps, and a Lion and a Unicorn who are guarding the king’s prison. Once they persuade the Lion and the Unicorn to let them pass, they discover that they king not only doesn’t want to leave his cave, he doesn’t even remember his own daughter! Plus the monstrous Snark is still out there on the island somewhere…

Verdict: Thumbs up. This was a joy to read from beginning to end. Characterization, humor, danger, dialogue, artwork, you name it. Go get it, people, come on.

Daredevil #14

Matt Murdock has been captured and imprisoned in Latveria, home of Doctor Doom — but his captor isn’t Doom, it’s Chancellor Beltane, Minister of the Bank of Latveria, and he’s not happy that Daredevil stole the Omega Drive with all the secrets of the world’s Megacrime organizations. Beltane hits him with some kind of gas before Matt makes his escape, but while he’s on the run, he realizes that the gas is slowly eliminating his senses. Can Daredevil escape from Latveria and get help before all his senses disappear permanently?

Verdict: Thumbs up. Outstanding action and dialogue. Seriously, it’s amazingly thrilling stuff, and nice and tense, too, as Matt’s amplified senses vanish one by one. All that plus a cool twist ending that leaves me very interested in where the next issue will go…

Avengers Academy #32

Juston Seyfert, the kid with his own reprogrammed Sentinel robot, joins the main cast in this issue, as he has to deal with various people who are unhappy about there being a Sentinel at a school where there are several mutant students. X-23 tries to get Juston to shut it down, and he tells her that, despite its tendency to occasionally bellow “Destroy all mutants!” most of its other directives override that one. Juston discovered that it’s not actually possible to erase that part of its programming, and rather than destroy what he thinks is a living mind, he’s chosen to make sure that its “destroy all mutants” directive is its lowest priority.

Meanwhile, the Avengers vs. X-Men war is still going on, and the X-Men have basically won because the Phoenix Force has bonded with five mutants — including Emma Frost, who shows up ready to destroy Juston’s Sentinel — the last Sentinel on the planet. Will the students try to stand against one of the most powerful, destructive beings in the universe? Should they even try?

Verdict: Thumbs up. Good dialogue and characterization — it’s nice to learn more about Juston, who’s been a background character for the past several issues, and we also continue to get a good focus on X-23′s hellish past and how she’s dealing with that. I have one serious complaint — the art is pretty alarmingly horrendous. Everyone’s poses look mostly unnatural, and every female character has the exact same body type and stance. It’s just astonishingly unattractive, and I hope they get the regular artist back very soon.

Popeye #1

Long, long years ago, I went through a period where I was really, really into Popeye — and not the familiar Popeye cartoons, but the very old “Thimble Theatre” comic strip by E.C. Segar, the one that included characters that rarely made it into the animated cartoons, like Castor Oyl, Ham Gravy, the Sea Hag, Alice the Goon, and others. So a Popeye comic by IDW that features a ton of old characters, written by Roger Langridge? Yeah, I’m all over that.

First things first: That cover? That cover is pure win.

The story focuses on Castor Oyl, Olive’s brother, hitting on a scheme to find a mate for Eugene the Jeep, a small highly magical creature, so they can sell baby Jeeps to solve the family’s money troubles. Of course, they hire Popeye to take them to the semi-mythical Land of the Jeeps, and Wimpy tags along to keep from having to pay his debts to Rough House, the owner of the diner. They are pursued, of course, by Bluto, who tries to stop them by various dastardly schemes. And when they finally make it to the Land of the Jeeps, what they find is not what they expected.

Verdict: Thumbs up. This is so blasted much like reading old Thimble Theatre comics. It doesn’t hurt that artist Bruce Ozella does a great job of replicating the look of Segar’s cartoons, but Langridge in particular seems to be channeling the style of those old comics.

Popeye #2

And the second issue has Popeye butting heads with Olive’s new beau, the famous actor Willy Wormwood. Popeye can’t match Wormwood for sophistication, style, or brains. Wormwood is obviously a villain — how can Popeye and Wimpy get Olive to see the truth? Plus a backup feature about Professor O.G. Wotasnozzle, brilliant scientist and inventor, as he pursues his twin quests of inventing a pill to make your feet two sizes larger and getting a little peace and quiet.

Verdict: Thumbs up. All the stuff I said before still applies. If you haven’t been getting these yet, give them a try. They’re good fun.

Avengers Academy #31

The X-Kids and the Avengers Academy kids finally figure out that Sebastian Shaw isn’t trying to kill anyone — he just wants to escape and to help the X-Kids escape. And the Academy students are really mostly okay with that — they don’t see the value in forcing the mutant students to stay as prisoners. So while Tigra and Hercules are generally in agreement, the campus is wired with cameras, and they can’t just let them walk away, so there has to be a fake fight for the cameras.

Verdict: Thumbs down. I really don’t get the necessity for a fake fight at all. It was pretty obvious everyone was pulling their punches, and everyone got up afterwards and waved bye-bye. So anyone watching certainly wasn’t fooled. I liked the camaraderie between the students and Hercules’ hammy over-acting, but the complete silliness of the fake fight ruined it all for me.

Today’s Cool Links:

• Womanthology creator Renae De Liz could use a hand up.
• The CBLDF has a short history of comic book burnings in America.
• The footage for the new Sim City game looks really, really good.
• Speaking of video games, I hope this movie is as good as the trailer makes it look. And I hope there’s lots of footage of Q*Bert.

Atomic Robo Presents: Real Science Adventures #2

I got the first issue of this soooo late I didn’t even figure it was worth reviewing, but the second issue got here on time, so here ’tis. It’s a bunch of different stories about Atomic Robo, all written by Brian Clevinger, with art by different creators. Most of them are pretty short, and several are multi-parters, with a chapter each issue. We’ve got one story starring the Sparrow, British secret agent, during WWII; another with Robo in 1924 fighting off the ghost of Rasputin; another with Robo learning martial arts from Bruce Lee, and one more with Robo teaming up with, of all things, the characters from the “Team Fortress 2” computer game to capture the legendary Yonkers Devil.

Verdict: Thumbs up. I enjoyed everything — and got a nice surprise from the Team Fortress cameos. My only disappointment here was that there wasn’t another Dr. Dinosaur story, like there was in the first issue. Dr. Dinosaur is the greatest comic character ever.

Avengers Academy #30

During the “Avengers vs. X-Men” crossover, a lot of the X-students are rooming at Avengers Academy — supposedly to keep them safe, but the X-kids have strong suspicions that they’re actually prisoners at the school. Adding to the stress is the fact that Sebastian Shaw — longtime X-Men foe who has now been mindwiped — has escaped from custody and is likely to come gunning for everyone to get revenge on Emma Frost, the woman who he’s just recently learned is responsible for his amnesia. The teachers decide not to tell the students about Shaw’s escape, partly to avoid a panic and partly because they’re worried the X-students will side with him. While X-23 bonds with Hazmat and Finesse, Shaw is busy taking down all of the teachers. How will the tensions between the groups play out, and how will Shaw use those tensions to his advantage?

Verdict: Thumbs up. Good story, good action, good dialogue. Great characterization for everyone, but particularly X-23, Hazmat, and Finesse. This is definitely one of my favorite team comics — hope you’re buying it, ’cause we want to make sure good stories get fan support.

Wonder Woman #9

Diana is trapped in Hell, because she agreed to stay if Hades would let Zola go free. Hermes, Hephaestus, Eros, Lennox, and Zola make plans to return to Hell to rescue her, while Wonder Woman prepares for her wedding to Hades. But does Wonder Woman really love Hades, even after getting shot by Eros’ (ahem) love guns? Or is she faking it for Zola’s sake? And what test will Hades and Strife devise to determine her feelings?

Verdict: Thumbs up. This issue really shines in the small details and surprises: elderly, blood-splattered War; the revelation of Persephone; the introduction of Aphrodite; Hades’ bloody throne; and especially Wonder Woman’s wedding dress, part beautiful, part superheroic, part fetishistic, part gory.

Today’s Cool Links:

• “Community” is one of the best shows on TV. NBC just fired the show’s creator. NBC just stepped in something stinky.
• Dan DiDio thinks “Before Watchmen” is a love letter to Alan Moore? Dan DiDio can die in a fire.
• Holy cow, this is where I live!
• Worst marketing failures in the history of video games — and another reason to be relieved you don’t have to go through life as quasi-famous comedian Jamie Kennedy.

Worlds’ Finest #1

Well, the second wave of the DC Reboot starts with this title (I’m not counting “Earth 2,” which looks awful, is written by James Robinson, who seemingly gets hackier with every word he writes. “Earth 2″ was apparently designed to turn DC’s awesome Golden Age heroes into grim-and-gritty 1990s douchecanoes). Most of what we get is backstory — Power Girl and the Huntress were originally the Supergirl and Robin of Earth 2. While trying to fight off a worldwide attack by Darkseid’s minions, the heroines fell into a Boom Tube and wound up on the world of the DC Reboot.

Now, five years after they got stuck here, they’re visiting Tokyo and toasting their successes — Karen Starr has become a wealthy entrepreneur, specializing in high-tech research and development, while Helena Wayne has adapted into a new costumed crimefighting persona. But there’s been an arson at one of Karen’s labs, and among the sabotaged equipment was a device that Karen hoped would return them to Earth 2. But who was the arsonist, and is he tougher than either Power Girl or the Huntress can handle?

Verdict: Thumbs up. Good art, decent action, decent dialogue. I do have some quibbles. First is that Huntress’s Helena Bertinelli secret identity ends up getting unceremoniously dumped — which is really too bad, because I always liked the idea that a former mob princess could end up becoming a schoolteacher who moonlighted as a superhero. Seems like everything DC does these days is focused on making their universe smaller and less awesome, instead of larger and more fun. Second quibble? The new Power Girl costume is a complete disaster. It’s not like they gave Huntress a complete redesign — and there are plenty of amateur and semi-pro artists who’ve done cool redesigns of Power Girl’s costume while still making it look classic. But the new costume is really just embarrassingly bad.

Avengers Academy #29

Okay, Marvel’s new thing is the “Avengers vs. X-Men” crossover, which I’ve been able to mostly ignore. Basically, the Phoenix Force is coming to Earth and likely gunning for Hope, one of the younger members of the X-Men. Cyclops thinks the Phoenix will revitalize the mutant population because — I don’t know, it makes no sense. And the Avengers think they can take Hope into custody and keep the Phoenix Force from getting to her because — I don’t know, that makes no sense either. Essentially, the whole point of the crossover is “OMG WE GOTTA HAVE A CROSSOVER, QUICK THINK OF SOMETHING RANDOM WE CAN FOIST ON READORZ”

Aaaaanyway, in an attempt to keep the young students from Utopia and the Jean Grey School for Higher Learning safe from the ongoing war, Captain America and Wolverine agree to let the folks at Avengers Academy take care of them for the time being. They say it’s not a matter of keeping the students prisoner… but it’s mostly about keeping the students prisoner. In addition to a vast number of mutants students, we’ve also got a mind-wiped Sebastian Shaw and a couple X-affiliated scientists. After Hercules proposes some athletics competitions to get the various students acquainted, X-23 gets to chat with Dust. Lightspeed has a race against Transonic, but the surfing competition between Finesse and Loa gets pre-empted when Loa uses her powers to let former surfer Mettle enjoy some earth-surfing. But the good feelings don’t last — most of the X-students can’t bring themselves to trust the kids from Avengers Academy — and Sebastian Shaw has some dire plans of his own.

Verdict: Thumbs up. Once again, this comic goes for a nonviolent method of storytelling. There’s plenty of conflict, but no one goes for random pointless fisticuffs. Most comics would have these kids tearing each other apart by the mid-point of the story — so this is a great, refreshing change. My lone complaint about this story is that, while we get complete introductions to the students and teachers at Avengers Academy on the first page, we’re largely expected to be familiar with the X-kids already, and that just ain’t so.

Today’s Cool Links:

• Don’t forget — Saturday is Free Comic Book Day! Here’s a short primer for how the whole thing works…
• Here you go, folks — the most beautiful song ever performed on a recorder…
• And here’s a mashup of almost every superhero movie ever made.
• And finally, enjoy this gallery of awesome, creepy, quasi-realistic monster sculptures.