Friday Night Fights: Punching the Strawman!

Wow, another rough week for me — hope it was better for you. But whether it was good or bad, let’s get right into the only thing we need to get the weekend started right: FRIDAY NIGHT FIGHTS!

Today’s brawl comes to us from December 2009’s Batgirl #3 by Bryan Q. Miller, Lee Garbett, and Trevor Scott. Stephanie Brown is on one of her first adventures as Batgirl and must contend with the Scarecrow…

Ah, Steph — still my favorite Batgirl… DC never appreciated how awesome you were…

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Welcome to the Second Wave

Worlds’ Finest #1

Well, the second wave of the DC Reboot starts with this title (I’m not counting “Earth 2,” which looks awful, is written by James Robinson, who seemingly gets hackier with every word he writes. “Earth 2” was apparently designed to turn DC’s awesome Golden Age heroes into grim-and-gritty 1990s douchecanoes). Most of what we get is backstory — Power Girl and the Huntress were originally the Supergirl and Robin of Earth 2. While trying to fight off a worldwide attack by Darkseid’s minions, the heroines fell into a Boom Tube and wound up on the world of the DC Reboot.

Now, five years after they got stuck here, they’re visiting Tokyo and toasting their successes — Karen Starr has become a wealthy entrepreneur, specializing in high-tech research and development, while Helena Wayne has adapted into a new costumed crimefighting persona. But there’s been an arson at one of Karen’s labs, and among the sabotaged equipment was a device that Karen hoped would return them to Earth 2. But who was the arsonist, and is he tougher than either Power Girl or the Huntress can handle?

Verdict: Thumbs up. Good art, decent action, decent dialogue. I do have some quibbles. First is that Huntress’s Helena Bertinelli secret identity ends up getting unceremoniously dumped — which is really too bad, because I always liked the idea that a former mob princess could end up becoming a schoolteacher who moonlighted as a superhero. Seems like everything DC does these days is focused on making their universe smaller and less awesome, instead of larger and more fun. Second quibble? The new Power Girl costume is a complete disaster. It’s not like they gave Huntress a complete redesign — and there are plenty of amateur and semi-pro artists who’ve done cool redesigns of Power Girl’s costume while still making it look classic. But the new costume is really just embarrassingly bad.

Avengers Academy #29

Okay, Marvel’s new thing is the “Avengers vs. X-Men” crossover, which I’ve been able to mostly ignore. Basically, the Phoenix Force is coming to Earth and likely gunning for Hope, one of the younger members of the X-Men. Cyclops thinks the Phoenix will revitalize the mutant population because — I don’t know, it makes no sense. And the Avengers think they can take Hope into custody and keep the Phoenix Force from getting to her because — I don’t know, that makes no sense either. Essentially, the whole point of the crossover is “OMG WE GOTTA HAVE A CROSSOVER, QUICK THINK OF SOMETHING RANDOM WE CAN FOIST ON READORZ”

Aaaaanyway, in an attempt to keep the young students from Utopia and the Jean Grey School for Higher Learning safe from the ongoing war, Captain America and Wolverine agree to let the folks at Avengers Academy take care of them for the time being. They say it’s not a matter of keeping the students prisoner… but it’s mostly about keeping the students prisoner. In addition to a vast number of mutants students, we’ve also got a mind-wiped Sebastian Shaw and a couple X-affiliated scientists. After Hercules proposes some athletics competitions to get the various students acquainted, X-23 gets to chat with Dust. Lightspeed has a race against Transonic, but the surfing competition between Finesse and Loa gets pre-empted when Loa uses her powers to let former surfer Mettle enjoy some earth-surfing. But the good feelings don’t last — most of the X-students can’t bring themselves to trust the kids from Avengers Academy — and Sebastian Shaw has some dire plans of his own.

Verdict: Thumbs up. Once again, this comic goes for a nonviolent method of storytelling. There’s plenty of conflict, but no one goes for random pointless fisticuffs. Most comics would have these kids tearing each other apart by the mid-point of the story — so this is a great, refreshing change. My lone complaint about this story is that, while we get complete introductions to the students and teachers at Avengers Academy on the first page, we’re largely expected to be familiar with the X-kids already, and that just ain’t so.

Today’s Cool Links:

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The Natives are Restless

Snarked #7

Well, Wilburforce J. Walrus, Clyde McDunk, Queen Scarlett, and Prince Rusty are adrift in a lifeboat facing the possibility of having to eat each other to survive when a sudden storm blows them to a tropical island. But they soon find themselves taken captive by the island’s natives, a bunch of birds decked out in facepaint and tribal gear. The good news is they believe the castaways are rain gods because they arrived at the same time as the storm  did. The bad news is they’ve decided they can steal the rain gods’ powers if they cook and eat them. And their lifeboat — the only way they have to escape the island — has been smashed to bits. How are they ever going to get out of this one?

Verdict: Thumbs up. Excellent humor, action, dialogue, art — just an all-around fun all-ages comic. Get it for your kids, or get it for yourself.

Daredevil #11

This is actually the conclusion of a Daredevil/Spider-Man/Punisher crossover — and I didn’t get the previous parts of the story. Nevertheless, from what I can deduce, the “Megacrime” organizations — A.I.M., Hydra, Agence Byzantine, and the Secret Empire — have made an all-out push to obtain the Omega Drive that Matt Murdock possesses — a data drive built out of the unstable molecules from a Fantastic Four costume — containing all their secrets of all the organizations. Daredevil and Spidey have enlisted Frank Castle’s help after making him promise not to kill anyone. And the Punisher has another assistant, a woman named Cole, who is assisting them, too. Or she was assisting them — she just stole the data drive in the middle of a firefight and took off. Will Daredevil be able to track Cole down and convince her to give up the data drive before Megacrime gets to her?

Verdict: Thumbs up. Not quite as good as it could’ve been, since I was only getting part of the story. But it’s still pretty good, for all that. Good dialogue and drama, pretty darn good action, and just a lot of the wonderful superheroics we’ve come to expect from this comic since its relaunch.

Today’s Cool Links:

  • Here’s a really entertaining article that touches on everything from camp to Fredric Wertham to fetishwear to what makes a fictional character gay or straight, all filtered through Grant Morrison’s recent statements about the “gayness of Batman“…
  • Okay, parents, I expect to start seeing more pictures of your kids and their awesome homemade jet packs.
  • Seems to me Hulu is getting set to go out of business.

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Western Wickedness

All Star Western #8

While Nighthawk and Cinnamon tear up New Orleans looking for the anti-immigrant terrorist group called the August 7, Jonah Hex goes deep-cover inside a fighting ring where he has to battle the deadly fighter Z.C. Branke. But Z.C. likes a man who can give her a good fight, and they end up spending the night together. And Dr. Amadeus Arkham, meanwhile, spends his evening getting buzzed out of his skull in an opium den and then arrested by the local police. Too bad Arkham decided to blab about Hex’s real allegiance to exactly the wrong cop. And in the backup story, we learn about Cinnamon’s hard life as an orphan, how she grew to become one of the West’s most dangerous bounty hunters, and how she and Nighthawk escaped from a collapsed mine.

Verdict: Thumbs up. Plenty of action, humor, drama, and some nice character moments. I sure hope this’ll finally allow us to be rid of Dr. Arkham as a character — there’s just no reason at all why Hex would let him keep tagging along.

B.P.R.D.: Hell on Earth – The Pickens County Horror #2

Agent Vaughn is stuck inside a mountain cabin. His host is an eccentric professor researching the local vampires. His partner, Agent Peters, is cooped up in the bedroom recovering from her injuries. And outside is a log of ugly green fog, a lot of messed-up vampires, and a lot of ominous mushrooms. Who will survive, and what will be left of them?

Verdict: Thumbs up. Truly outstanding creepy, claustrophobic horror. Go get the whole thing, it’s just two issues.

Today’s Cool Links:

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Friday Night Fights: Football Frenzy!

Awright, it’s time to get the weekend started the fun way and jump in with some Friday Night Fights!

I’m not even sure if this one really counts as a fight — there aren’t any fisticuffs or shootings or stabbings or someone getting dropped into an oversized fruit juicer… but it completely kicked my butt, so that’s what we’re going with. It’s supposedly an undated “Peanuts” Sunday strip, though it doesn’t look a whole lot like Charles Schulz’s artwork, so I’m going to assume it’s all the work of John Romita, Sr. So let’s get right to it.

Featuring WHO?! Oh, this’ll be interesting…

HE GOT TO KICK THE FOOTBALL!

Best Friday Night Fights ever.

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Curbstomping the Reboot

The Goon #39

Ladies and gentlemen, may I introduce you to the comic that is likely to win some Eisners and Harveys for Eric Powell next year?

Well, Powell, creator of “The Goon,” has finally decided to sell out. He wants money, he wants collector speculation, and he wants some mass-media controversy. So the Goon reveals his new superhero costume and his new overblown superhero origin, and he takes Franky as his scantily-clad sidekick. Then they change costumes and origins a few pages later, and a few pages after that, and a few pages after that. Will Powell finally get the media coverage he craves, even with the giant splash pages, the Thong of Nobility, angst-ridden monologues, vector graphics software, gratuitous ass-shots, multicolored Goons, variant covers, inevitable betrayals, and constant reboots?

Verdict: Thumbs up. It’s a pretty sure bet that Eric Powell is never going to work for DC Comics again, not after completely savaging the company this way. From the perfect Dark Horse With A Band-Aid logo on the cover to the DiDioesque/Johnsian plot twists and Jim Lee costume designs, this was a joy to read from beginning to end. Seriously, it’s a near-certain shoo-in for awards next year.

My only question is this: Are we seeing the beginning of the long-awaited backlash on DC’s Reboot? Or just a brief flare-up of dissent?

American Vampire #26

A new storyarc, this time focusing on Calvin Poole, a character we last saw all the way back in Issue #19. Calvin used to be a member of the Vassals of the Morning Star, a vampire-hunting organization, and he ended up getting turned into an American vampire when he was infected by a broken glass vial of Pearl Jones’ blood. Now he’s wandering the American South and occasionally killing and eating racist rednecks. He learns of an integrated doo-wop group and gets recognized by one of its members. He gets warned off by some teenagers who say he and the doo-wop group will die if they stay in town, and he gets some protection from a group of veterans. But the danger for Calvin is that he really has no idea who his friends and enemies really are…

Verdict: Thumbs up. I was afraid Calvin Poole had been completely forgotten — glad we’ll get to see a story focusing on him — and with a setting in the Deep South of the 1950s, this story should be juicy in more ways than one.

Today’s Cool Links:

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The Class Killer

My Friend Dahmer

So once upon a time, there was this guy named Jeffrey Dahmer. You might’ve heard of him. Back in 1991, he got caught trying to abduct a guy in Milwaukee, and police found a human head in his refrigerator, along with human remains stored in barrels and various severed body parts scattered around his apartment. He’s one of the most notorious serial killers in history.

Back in ’91, there was an editorial cartoonist called Derf Backderf working for a paper in Cleveland. His wife, also a reporter at the paper, calls him, tells him about this serial killer they’ve arrested in Milwaukee, and drops a bomb on him — Backderf graduated from high school with the guy.

So Backderf spends a few years wrestling with the fact that he was friends with a future serial killer and eventually sits down, does a ton of research, and creates this graphic novel, “My Friend Dahmer,” a retelling of his interactions as a teenager with this kid who everyone laughed at and no one really understood.

Backderf and his circle of friends discovered Dahmer after he’d started impersonating a person with cerebral palsy and throwing fake epilectic fits to get attention. Dahmer was a stone freak, but his antics were amusing in the juvenile way we all enjoy when we’re in high school, and they encouraged him as much as they could, even calling themselves the “Dahmer Fan Club.” Backderf remembers him as a really strange kid, sometimes disturbing, usually harmless, often depressing. He drank heavily in high school — a fact that a number of students were aware of, but that every teacher apparently missed — hiding beer and hard liquor around the school grounds so he’d always be able to sneak out and find something to drink.

Ultimately, it’s a really sympathetic portrait of Dahmer. Not to say that it’s entirely Dahmer-positive — Backderf says more than once that Dahmer is a kid he feels tremendous sympathy and empathy for — but that goes away when he crosses the line into murder. But Backderf knew Dahmer as a sad, strange kid with parents struggling through mental health issues and a very nasty divorce. Dahmer wanted attention, like a lot of kids, he was darkly funny, like a lot of kids, and he was conflicted when he realized he was gay, like a lot of kids. Of course, not a lot of kids also realize they’re necrophiliacs and have to struggle with urges to do violence to others. But even then, Backderf recognizes that Dahmer went through a very stressful high school career and kept himself together — admittedly with huge doses of alcohol — until after graduation.

Backderf says that he thinks Jeff Dahmer, the disturbed teenager, could have been saved if only the adults in his life had paid closer attention to him and cared enough to get involved. We’ll never know for sure, of course, but that doesn’t do anything to make this book any less fascinating.

Verdict: A very big thumbs up. This is a pretty thick book, and I burned through it as fast as I could, including the section detailing Backderf’s research and notes. Backderf’s writing about Dahmer is captivating and humanizing in all the best ways — this isn’t something that glorifies a serial killer, but instead asks us to look at how the serial killer was created, at Dahmer’s depressingly rotten youth, at all the ways this kid was failed by the grownups who were supposed to be helping him.

The setting is also pretty amazing — Revere High School in West Allis, Ohio in the mid- to late-1970s is a great backdrop for all of this to happen. Locked-down schools, zero tolerance, and No Child Left Behind were 20-30 years in the future, and the book is both stereotypically ’70s-ish and simultaneously timeless — we’ve all felt this way about school, we’ve all been freaked out by our adolescent hormones, we’ve all wondered whether we’d survive to get out of school and wondered what happened to the people we used to hang with.

This isn’t a horror story, at least not in the traditional sense. If you read it hoping for blood and gore and psycho killer mayhem, you’re going to be very disappointed. If we can call it horror at all, it’s more a matter of the horror of how one person can go from being a pretty normal kid to the kind of lunatic who’d kill 17 people.

Reading this book made me think a lot about all the people I knew in junior high and high school who were the Class Freaks. If I’m being honest with myself, I think there’s a pretty good chance that I was one of the Class Freaks myself. And we’ve all known the Class Freaks at our own schools — the kids who don’t fit in, the kids with weird senses of humor, who just aren’t sociable enough, who looked funny and were easy to target. Of course, most of the Class Freaks graduate, mellow out, get responsible jobs, and get normal families. Jeffrey Dahmer — and his 17 victims — had the bad luck to be the exception that proves the rule.

“My Friend Dahmer” by Derf Backderf. It’s a heck of a good story, and I think you should read it. Go pick it up.

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Sand Gets in your Eyes

The Amazing Spider-Man #684

The Sinister Six has put the smackdown on the Avengers, but Silver Sable manages to rescue Spidey and the Black Widow. The crew from Horizon Labs calls in to offer assistance — their labs in NYC are shut down, but they’ve got a yacht out in international waters where Mayor Jameson can’t stop them. Spidey and the other heroes travel to a secret satellite factory in the Sahara, armed with a little of Horizon Labs’ tech, but they soon find themselves ambushed by the Sandman — now empowered by all the sand in the world’s largest desert. Can three people stand against that much power?

Verdict: Thumbs up. Wonderful writing and art, excellent twists and turns in the story, and outstanding dialogue and action. Dan Slott and Humberto Ramos are doing comics right.

Dark Horse Presents #11

This issue features the usual wide variety of stories and creators: Francesco Francavilla’s “The Black Beetle,” Evan Dorkin’s “House of Fun,” John Arcudi’s “The Creep,” a short story by Andrew Vachss with illustrations by Geof Darrow, Neal Adams’ “Blood,” Carla Speed McNeil’s “Finder: Third World,” and much more.

Verdict: Thumbs down. I hate to do this to a series that’s been awesome far, far more often than not, but other than McNeil’s “Finder” and Dorkin’s “Milk and Cheese” and various other funny mini-strips, very little of this was particularly good.

Wonder Woman #8

Preparing for her journey to Hell to rescue Zola from Hades, Wonder Woman gets kitted out by Hephaestus — swords, daggers, shields, and even Eros’ golden handguns. She and Hermes arrive in Hell to find it looks, at least for now, like London, seemingly deserted — but in fact, Hell is literally made of the souls trapped there, and they occasionally burst out of statues, bloody and dripping as freshly skinned corpses, to attack people at Hades’ whim. Soon enough, they locate Zola — and while it’s only been days since she was abducted, in Hell, months have passed, so it looks like she’s at least eight months along. But Hades isn’t about to let Zola go without a fight…

Verdict: Ehh, I wasn’t so fond of this one. Cliff Chiang’s art is as beautiful as ever, and the action and dialogue are pretty good. But I just found myself fairly bored with the whole issue. Sorry — they can’t all be winners.

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Friday Night Fights: Spine Cracker!

Another rotten week down the tubes, another short weekend upon us. Will it be enough to wash the bad taste of the previous workweek out of us? Will it be enough to strengthen us for the week ahead? No one can know. The only certainty is that we have to start the weekend with… FRIDAY NIGHT FIGHTS!

Tonight’s battle is from October 2008’s The Incredible Hercules #120 by Greg Pak, Fred Van Lente, Rafa Sandoval, Roger Bonet, and Greg Adams. There’s this dude called Kly’bn, who is a Skrull god, and he’s bad news. Herc is fighting the guy off, and Snowbird has just happened to find the spine of another god. Gee, whatever will she do with that?

Well, I’ll keep my fingers crossed for all of us that we don’t get any divine spinal cords jammed through our torsos, at least for the weekend…

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City of Owls

Batman #8

The Court of Owls has sent out hordes of Talon agents — combat-trained assassins who can revive themselves as long as their blood isn’t too cold. A bunch of them attack Bruce Wayne in Wayne Manor, but he and Alfred manage to fight most of them off. Unfortunately, they’re also targeting almost 40 public officials throughout Gotham City. So Batman mobilizes the rest of the Bat-family — Damian Wayne, Nightwing, Red Robin, Batgirl, the Birds of Prey, and — ugh — the Red Hood — to help out in the crisis.

Verdict: Thumbs up. But not a real enthusiastic one. The action is excellent, and the rest of the plot is fine. But it’s still just an introductory issue for the upcoming “Night of the Owls” crossover.

B.P.R.D.: Hell on Earth – The Long Death #3

Johann Kraus failed in his attempt to kill Ben Daimio when he lost the magic knife that was supposed to do that job. Daimio actually has the knife and tries to commit suicide with it, but can’t follow through. He seeks out the wendigo — a good man trapped in the body of a supernatural killing machine — but can there be a winner in a battle between two seemingly immortal monsters?

Verdict: Thumbs up. Excellent work all around — action, drama, and horror, with great art and writing. And the loss of one long-time character is handled pretty well.

The Defenders #5

The Atlanteans have discovered a giant door containing an image of the miraculous machine that the Defenders have obtained. Namor, Dr. Strange, Red She-Hulk, and the Silver Surfer investigate, and after the Surfer blows the door open, they discover a dead, armored giant with a huge, antique submarine rammed through his chest — and they’re attacked by squid-faced women who’ve been imprisoned in the tomb for hundreds of years. After they run the squid-women off, they investigate the submarine — and discover that it’s the Nautilus. And that Captain Nemo may have been Namor’s father…

Verdict: Thumbs down. It’s not just that this is a dull, confusing story, with weak action, mediocre dialog, and sketchy art. It’s that I suspect Matt Fraction is trying for all he’s worth to write a Grant Morrison story. And he just don’t have the chops. Honestly, I think I’m done with this title. I ain’t made o’ money…

Today’s Cool Links:

  • I bet some of y’all are fans of “PhD Comics,” right? Well, they’ve got a live-action movie, believe it or not…
  • Former Lubbockite Micah Ian Wright wants to get back into comics after he blew it all with a fake biography.
  • Speaking of Lubbock cartoonists, here are some Lubbockites making a webcomic about… knitting? Yeah, a bit off-the-beaten-path, but it’s still pretty good.
  • iZombie writer Chris Roberson has had enough of DC’s shenanigans.
  • John Scalzi discovers there’s something on the wing of the plane — and that there’s a serious iPad artist out there making monsters.

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