Will Terrell by Will Terrell

This past weekend’s “Texas Country Reporter” segment on the Lubbock Sketch Club seems like a good time to present this short interview I did with the Sketch Club’s head honcho, Will Terrell.

Could you tell us something about yourself? Background, history, age, biography, etc…

I did not grow up in West Texas, in fact I moved around a whole lot before I ended up here. From Austin to Dallas to Denver to Houston and so on. Nine times in all. I moved to Lubbock my Senior year of High school and graduated in 1995 from Lubbock High.

I decided I wanted to make comic books for a living after graduation, mostly because I couldn’t really picture myself doing anything else. I’ve pretty much always been a storyteller. Even as a little kid I would make up invisible worlds wherever I was. Moving around so much, your imagination is pretty much all you have. I’d lay in bed, or in a field somewhere, and make up stories involving every person I knew going on some strange adventure or another with me. In retrospect, it was only natural for me to do that for the rest of my life.

How did the Sketch Club come about?

The Sketch Club came about from my experiences living in San Diego. I worked as a caricature artist out there at Seaworld and Legoland California. While there, I worked with hundreds of other professional artists — cartoonists, caricature artists, comic book artists, and so on. This environment, combined with the knowledge I attained studying at the Watts Atelier of the Arts, allowed me to learn more in a six month period than I’d learned in 10 years in West Texas. It was the entire culture of learning as a group and constantly challenging each other that inspired me to start the Sketch Club when I returned to Lubbock.

I don’t believe that Lubbock has any less talent than other cities, the problem is that there aren’t enough resources or opportunities to do something with it. In this I saw an opportunity for the Sketch Club. I’d been trying to start some sort of comic book artists group in Lubbock since the very beginning. I’ve tried lots of different ways of doing that. From publishing companies, to artist studios, to teaching classes and workshops. None of those seemed to work though. I can honestly say though, that the Lubbock Sketch Club is already enormously successful at what I intended it for. And it is only getting better and better.

Things look to be moving forward very quickly for y’all, especially with the new space at Asbury. Please tell us a little about the new space and all it entails? How quickly is the Sketch Club growing?

The Hope Shalom Community has provided a space for the Sketch Club to give hands-on art education to the community. We are very grateful for this opportunity. Our attitude is to be interactive with teaching and learning. To make the process fun and easy, and teaching people to teach themselves. This is why you’ll see us at local events covering 4 or 5 tables with artists of all ages drawing and having fun.

The new spaces at the Asbury United Methodist Church allow us to do several things. We’ve started with a weekly figure drawing/painting group and that has been very successful so far. It’s training that is available to anyone, that might otherwise be very hard to come by outside of a university (sometimes even INside of a university). In the spring we will begin the next phase of the Sketch Club by hosting monthly workshops on illustration, digital painting, cartooning, etc., as well as a weekly after-school program. We’re very excited about that.

The sketchclub seems to be growing at a steady pace. We just passed our first birthday in October, and we had 35 people show up to our weekly Freebirds Saturday Sketch Night. The numbers tend to fluctuate each week, but we average 20-30. And we’re constantly getting new people along with our regulars cycling through depending on their schedules. Our figure drawing group averages 6-10 people every Wednesday night, and we intend to grow that into multiple nights.

What do you have planned for the Sketch Club’s future?

In the immediate future, we are planning to publish our 3rd issue of the Sketch Club Sketchbook in January. Along with our first comic book anthology. We are also putting together our first comic book CONVENTION in conjunction with the Science Spectrum and Star Books and Comics scheduled for Saturday, May 3rd, 2008 (Free Comic Book Day!).

In the near future, we would like to do a lot more public events where we have tables set up where the general public is invited to sit and sketch with us. We did 4 this year. My favorite was the Lubbock Arts Festival, where we had over 400 people sit down to draw with us, and we did cartooning for kids workshops for more than 3,000 kids. I’d also like to start taking that into the local school systems.

In the long term, we intend to incorporate the Sketch Club and file as a non-profit art organization. And focus a lot of our energy into training artists to teach and putting them in after-school programs around the city. With an emphasis on teaching young artists to make a career out of their art, and providing the resources and opportunities for them to do that… while enjoying the process.

Is there anything else I should have asked you but forgot to?

There is no fee to join the Sketch Club. Just show up and participate! We meet every Saturday night from 7-10 p.m. at Freebirds world burrito, 4930 S. Loop 289. Also visit our website for more information: www.elsketchoclubo.com

 

Marvel Atlas #1

This was the coolest comic I got last week. This one caught my eye on the shelf because I thought it was related to Marvel’s wonderful “Agents of Atlas” series, but what I found instead was still pretty sweet. You know those “Official Handbook of the Marvel Universe” books that Marvel has been printing since forever? The ones that spotlight a dizzying array of Marvel characters, list their biographies, adventures, background information, and so much more? Well, this does the same thing, but for entire countries.

Some of these entries are even moderately factual. Up to a certain point, the printed histories of Germany, France, Russia, and Japan conform entirely to what’s in our own history textbooks. Of course, these are Germany, France, Russia, and Japan in the Marvel Universe, so at some point, the Baron von Struckers and Doctor Dooms and Captain Britains start making their appearances.

And then there are the entirely fictional countries, like Lemuria, Sin-Cong, Morvania, Monster Island, and of course, Latveria. Among the cool details you get are the flags of Latveria (features Dr. Doom’s iron gauntlet), Monster Island (It actually has claw marks on it. I wonder if Godzilla actually designed it.), and Rumekistan (my favorite flag in the book — it includes a shield with a DNA helix on it); the short, tragic history of the fully depopulated European nation of Slorenia; and, of course, a great deal more. There is a lot of text here, and a lot of cool details about Marvel’s version of the world.

Verdict: Thumbs up. This issue dealt solely with Europe, Asia, and Australia. The next issue will focus on North and South America and Africa. You should pick up both of them.

Wow, what a week. It ain’t even over yet, as I got work to do tomorrow afternoon. Actual work, not “sitting at home playing videogames” work. Truly, no one has ever suffered as horribly as I have. But I know a great way to soothe my deeply wounded soul — Friday Night Fights!

From 1997’s Lobo the Duck #1 by Al Grant and Val Semeiks: When Bevarlene catches her, um, well, boyfriend Lobo the Duck foolin’ around, she does what any mild-mannered um, well, girlfriend would do in that situation: she beats him with a metal pipe.

Wauugh, indeed.

The moral: Guys, don’t fool around with trashy green-skinned chicks. Gals, keep a metal pipe around to use on your idiot um, well, boyfriend.

 

Got an e-mail late yesterday afternoon from Will Terrell from the Lubbock Sketch Club. The folks from “Texas Country Reporter” visited Lubbock a few months back to profile the Sketch Club, and he says he’s finally gotten word that this episode will air this weekend.

Here in Lubbock, “Texas Country Reporter” airs on NBC at 6 a.m. on Saturday and 8 a.m. on Sunday. I know, I know, that’s way too early, especially on a weekend. Still, if you wanna see it, better record it, Tivo it, or just get yer worthless carcass out of bed and turn on the tube.

If you still can’t manage that, it looks like the folks at TCR put most of their shows on YouTube eventually, so you should be able to see it then.

Anyway, big congrats to Will and everyone else at the Sketch Club for grabbing some pretty major publicity.

Let’s face it, economic conditions this holiday season are not all that great, and you may be thinking that these comic book anthologies that collect just 4-6 issues at a time are too expensive, at $20 or more a pop. But there are some bargain options out there for you.

 

Marvel calls them “Essential”; DC calls them “Showcase Presents.” In both cases, they’re very affordable collections of old comics. Price? About 17 bucks. What makes them such bargains? Well, they’ve got at least 500 pages of comics. And these are comics that have been out-of-print and unavailable for a long time. They come in two basic flavors — classic Golden and Silver Age stories of popular characters like Batman and the Hulk, and less-classic but still fun stories of more obscure cult favorites, like Killraven, the Haunted Tank, Hawkman, and Dazzler. You can get the original Stan Lee-Steve Ditko “Spider-Man” comics, those old Superman comics with Brainiac and Kandor, the first appearances of the Legion of Super-Heroes, old stories about Howard the Duck, the Man-Thing, Jonah Hex, the House of Mystery, and many, many more.

 

If there’s a downside, it’s that all the comics are in black-and-white, and the paper quality isn’t the greatest. It costs more to print comics in color, and more to use high-quality paper. But you’re still getting the original stories with the original art. It is a trade-off, but it’s a trade-off in the readers’ favor.

 

If you’ve got a comics fan on your list, consider picking them up a volume or two of these. They’ve got Madagascaran Metric Buttloads of classic old comics for a fraction of what you’d pay for the originals. It’s a gift for them, plus a gift for you at the same time.

 

Go pick some up.

Whatta we got today? A little bit of everything — a dark and gloomy police procedural, a comedy book, and a straightforward superhero punchfest. Let’s get to ’em.

She-Hulk #23

Okay, first of all, look at Shulkie’s hand on that cover. Can you spread your fingers that far apart? I can’t. I’m not sure anyone can do it without getting their hands broken. I don’t think She-Hulk getting her hands broken is a part of the current storyline, so I’ll just chalk it up to lazy artwork.

Anyway, last issue, we had She-Hulk with a miniaturized Titania punching on her eardrum while a full-sized Absorbing Man punched on her face, plus we had Jennifer Walters with a broken neck but still walking around arresting perps. Wait, aren’t Jennifer Walters and She-Hulk the same person?!

Anyway, in this issue, Titania finally gets knocked out of Shulkie’s ear, but that doesn’t make it much easier for her to beat Absorbie. But we get to see him turn into everything from steel to Legos to a shark-human hybrid. And the broken-necked Jennifer Walters is revealed as a friendly Skrull named Jazinda. Wait, isn’t the Marvel Universe about to go to war with the Skrulls?!

Verdict: Thumbs up. Still not sure I’m down with the idea of She-Hulk as a bounty hunter, but the story has been pretty entertaining so far.

Groo: Hell on Earth #2

Groo, mighty barbarian warrior but a few crackers short of a Lunchable, has been made a general. Hey, he’s never been a general before! That means it’s time to go find other armies to fight. His own army is terrified of him — they think (quite rationally) that he’ll end up getting them killed. While Groo is marching around looking for an army to fight, the Sage is wandering to various villages trying to get them to stop polluting the air so the glaciers in the north don’t melt. Of course, the only people dumber than Groo are the other people in Groo’s world, so folks can always find new reasons for misunderstanding the Sage or increasing their smoke production — after all, Groo has an army, and everyone’s afraid he’ll attack!

Verdict: Thumbs up. This is actually my first “Groo” comic, so I can’t say I get all of the jokes. But the ones I get are good, and Sergio Aragones’ cartooning is, as always, wonderful and fun to read.

Powers #27

Deena Pilgrim, former cop, current carrier of the deadly Powers virus, leans on an underworld boss to get him to lean on the rest of the underworld to hunt down a serial killer. But when the crooks learn that Deena is herself one of the suspects, they don’t like that at all. Meanwhile, exiled hero Triphammer returns to the city to learn that his daughter is one of the killer’s victims.

Verdict: Thumbs up, but it’s a close thing. The problem is that not a lot happens here. Sure, it’s well-written and the dialogue pops, but there’s still not very much going on. Luckily, it should pick up some next issue.

 

PS238 #27

This one doesn’t come out often enough, so let’s recap the basic premise. It’s about a secret elementary school, located about three miles underneath a normal elementary school, that’s designed to educate metahuman children in how to use their superpowers. One of the main characters, Tyler Marlocke, is the unpowered son of two superheroes — he gets to attend the school because his folks are positive he’s going to manifest powers, but Tyler has taken up crimefighting as the sidekick of a Batmanesque hero named Revenant.

Anyway, in recent issues, Earth was invaded, with PS238 as a major focus of the aliens’ attacks. Tyler was infected with a virus that would soon cause humans to mutate into the alien invaders, so he was put into a stasis field until he can be cured. Meanwhile, the aliens have caused a cave-in at the school, trapping the school’s doctor, the mysterious Principal Cranston, and the still-unconscious Tyler.

Well, this story also functions as an origin story for Principal Cranston. The stasis field is having a strange effect on Tyler, as he keeps having strange dreams that he’s Principal Cranston — in his previous job as President of the United States. It turns out that the headband Cranston wears is a power dampener, designed to shut down his very powerful telepathic and telekinetic powers. He was forced to wear it to keep from being impeached for using superpowers to gain political office, and that the founding of PS238 was another condition of Cranston’s release.

On top of that, we also get several excellent cliffhanger moments. Will Tyler recover? Is Moon Shadow dead? Is a favorite teacher quitting the school? Future issues will reveal all, I’m sure.

Verdict: Thumbs up. It’s always been very heavily implied that Cranston used to be the president, but the full background is very entertainingly told here.

Two comics this week featuring the Flash? Let’s get right into ’em!

The Flash #234

This issue sees the Flash family discovering some more superpowers. First, Flash is able to synch his vibrational aura to his kids’, which allows him to pull the kids to him no matter where he’s at. Jai thinks it’s fun, because it’s like flying. Iris hates it because she thinks of it as being pulled around by a leash. Also, Jai is depressed because he overheard that his and Iris’ unstable powers could kill them at any time, and he accidentally triggers a new power — he can vibrate his genetic code up and down through time, allowing himself to take on a monstrous appearance. No, these powers don’t make a bit of sense, but comic-book science should always be taken with about 20 tons worth of salt.

Verdict: Ehh, I think I’ll give it a thumbs up. I like the kids’ reactions to things, but I do wish we could see some more Flash-centric superspeeding.

The Brave and the Bold #8

Obviously, this issue sees a team-up between the Doom Patrol and the Flash — actually, with the entire Flash family. Niles Caulder, leader of the Doom Patrol, offers to examine Jai and Iris and see if there’s a way to stabilize their powers. Wally and Linda are nervous, because Caulder is, at best, a kook, and at worst, a fairly ruthless mad scientist. Still, they travel to Prague to hear Caulder out. The kids end up getting good and creeped out by Robotman, Negative Man, and Elasti-Girl, and Caulder reveals his plan to link the kids up through another special guest — Metamorpho, the Element Man — and give them a micro-cellular scan to see how to stabilize them. Unfortunately, Metamorpho mysteriously vanishes in the middle of the procedure, leaving the kids dissolving into their component atoms! Caulder thinks Robotman’s body can contain one of the kids — and Wally has to decide which one of his children to save. And bizarrely, it’s found that Metamorpho left the word “Megistus” behind — the same mysterious name that cropped up last issue.

Verdict: Thumbs up. This was a very cool comic. I loved the way the Doom Patrol was portrayed — they’re usually written as somewhat offbeat heroes, but here, they’re terrifying freaks. Even Elasti-Girl, who looks perfectly normal, smiles all the time, no matter how inappropriate, because she thinks it’s the only way anyone will like her. The story is like riding through a really fun carnival haunted house. The whole series has been grand fun, so go check it out.

Prepare for the shock of your life — Christmas is only a month away! Hully chee! Time to panic and run around wildly, jabbering nonsensically and purchasing stuff like underwear and bow ties and vitamins for stocking stuffers. Now hold it, hold it, you can solve many of your holiday gift-giving needs… with comics! So I’ll spend a little time over the next month passing along some tips for some gifts you can get for the comics-loving person on your shopping list.

Let’s start with a new favorite that looks likely to become a classic:

 

DC: The New Frontier

This series was published by DC in 2003 and 2004, and was written and illustrated by a guy named Darwyn Cooke. The story is set, for the most part, in the late 1950s. It stars a huge array of DC characters, from Superman and Wonder Woman to the Flash and the Challengers of the Unknown, but the central character is definitely Hal Jordan, who starts out, not as the superhero Green Lantern, but as the only pacifist fighter pilot in the Korean War. The general plot, without dropping too many spoilers: We follow the emergence of a new generation of heroes as we slowly become aware of a growing alien plot against the earth.

There is a lot of cool stuff in this series. The whole thing opens with an incredibly cool, incredibly cinematic sequence with a quartet of soldiers facing off against dinosaurs during World War II. Everything set in Las Vegas is cool, including the boxing match and the fight between the Flash and Captain Cold. And the book also has one of the coolest characterizations of Wonder Woman around, gorgeous and curvy, sure, but also absolutely hardcore, and tough enough to stand up to Superman and tell him to take a walk.

 

You’ve noticed that artwork by now, haven’t ya? Beautiful stuff. Cartoony, but also like something out of a pulp magazine. There are also some animation influences in there, too. Superman looks a lot like he did in the Fleischer cartoons back in the ’40s, and just about everything else is filtered through the animation styles of more recent cartoons like “Justice League Unlimited” and “Batman: The Animated Series.” Yeah, it’s simple, clear artwork, but there’s something more complex going on there, too. It’s great for emotion, great for characterization, great for evoking the spirit and styles of the ’50s. It’s absolutely outstanding for action and motion, too.

 

You can pick up “DC: The New Frontier” as a two-volume collection for about twenty bucks apiece. You can also get what they call the “Absolute New Frontier,” which is oversized, comes in a nice slipcase, and has a bunch of other extras. That one will set you back about 75 bones. You may not want to get this for a kid — though the art has a retro, cartoony feel, numerous people die, and there is some cussin’ in it.

 

Go pick it up.

It’s the day after Thanksgiving, and you’re still so stuffed full of tryptophan, so exhausted from showing up at the mall at 4 a.m., it’s a wonder your heart is still able to beat. How to get you back on your feet for the weekend? You need adrenaline, excitement, pointless violence, and a big, thick, steamin’ bowl of BOOM-SHAKALAKA! You need FRIDAY NIGHT FIGHTS!

Our action tonight is from 2002’s “The Adventures of Screw-On Head” by Mike Mignola.

Dum-dee-dum, nothing much going on here. Just standing around and — hey, everyone watch it, there’s an untethered anchor over there. If we’re not careful, it could end up plunked through someone’s chest. So watch it. I said watch it! Hey, did you hear me?

Pff. No one listens to me.