Friday Night Non-Fights: Lolli-Popped!

Okay, so Spacebooger has decreed that we’re taking a two-week break from Friday Night Fights, but that doesn’t mean that we actually have to stop the violence, right? After all, it’s been a rough week, and what we all need is a heaping mega-dose of pain and suffering and fisticuffs to make sure the weekend gets started off right! So let’s get right to the Pure Testosterone-Pumped Bone-Breakage!

From April 2008’s, umm, Tiny Titans #1 by Art Baltazar and Franco: Witness the heart-stopping brutality as Plasmus encounters a bunch of the Titans in a local park:

OHHH, THE SAVAGERY!

Well, alright, not so much the pain this time. But I think we can excuse it for once, because we all love lollipops. Y’all have a merry weekend…

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20th Century Analog Boys

The League of Extraordinary Gentlemen: Century: 1910

The first part of a new chapter in the literary-themed adventure series from Alan Moore and Kevin O’Neill focuses on the early part of the 20th century. The current League includes former vampire victim Mina Murray, the rejuvenated Allan Quatermain (masquerading as his own son), immortal sex-changing warrior Orlando, ghost-hunting detective Thomas Carnacki, and reformed thief A.J. Raffles. They’re on the trail of a bunch of occultists, led by a fictionalized version of Aleister Crowley, who are trying to bring about the end of the world. Added on top of all this are the daughter of the late Captain Nemo, who becomes known as Pirate Jenny, and a brutal killer (who may actually be Jack the Ripper) named Jack MacHeath, who is better known as Mack the Knife. In other words, a large chunk of this story is based on Bertolt Brecht’s “Threepenny Opera” — and yes, there are characters who actually break out in song during the story. Frankly, this is extremely weird. It all ends with a terrific slaughter, but with the prophesied apocalypse seemingly scheduled for many years in the future.

Verdict: I hate to say it, but thumbs down. While Jenny was an outstanding character, and her storyarc was very satisfying, the rest of this felt like Alan Moore was thumbing his nose at me. Sure, okay, Alan, you’re vastly smarter than I am, there’s no denying it. But do ya have to rub my nose in my own intellectual inferiority?

Secret Six #9

In one of the “Battle for the Cowl” crossovers, Batman is seemingly dead, and the criminals of Gotham City are going wild. A band of kidnappers have targeted the children of wealthy citizens, but Catman and Bane both decide to help stop them — partly because both of them would like to try to take Batman’s place. And Ragdoll is tagging along, because he, disturbingly, has decided that he wants to take Robin’s place. None of the trio is much good at leaving any of the kidnappers alive, but they do manage to save the children and their families — and they all get off some excellent one-liners.

Verdict: A big thumbs up. This one is a huge amount of fun, the action is absolutely top-notch, and like I said before, the one-liners are primo. Ragdoll gets the most, especially when he discovers that everything he says ends up sounding perverted, but Bane and Catman get their share, too. This one’s definitely worth picking up, even if you’re not into the “Battle for the Cowl” storyline.

The Human Torch Comics 70th Anniversary Special #1

Marvel is putting out a whole series of comics focusing on their Golden Age characters to commemorate their 70th birthday. This one, by Scott Snyder and “Atomic Robo” artist Scott Wegener, focuses on the Human Torch from the 1940s — unlike the more familiar Torch from the “Fantastic Four” comics, the Golden Age Torch was an android who was able to set himself on fire. The first story is pretty straightforward — the Torch rescues a woman from a sewer monster, but its venom means he has to discard his human-looking skin. Finding himself despised as a robot monster, the Torch has to decide whether to stay inside where his appearance won’t horrify people, or to go out and save lives anyway. The second story is a reprint from an old “Human Torch” comic, featuring the introduction of the Torch’s sidekick Toro.

Verdict: Thumbs up. It’s a charming story, with wonderful illustrations. The reprint is a nice bonus. Definitely worth a read.

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Batman Kicks the Bucket Again

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Detective Comics #853

DC Comics sure does love killing their most popular character, don’t they?

It’s the second part of “Whatever Happened to the Caped Crusader?” by Neil Gaiman and Andy Kubert. (Part I came out waaaaaay back in February.) In this issue, we continue the strange funeral of Batman, attended by his friends and foes, telling stories — always wildly contradictory — about how the Dark Knight died, while a mysterious woman keeps Batman company. We get stories from the Joker, the Mad Hatter, the Golden Age Batgirl, Robin, Clayface, Harvey Bullock, Ra’s al Ghul, and even Superman. And finally, Batman realizes that he’s not dead… but he is dying. How is the woman accompanying him going to help him? What secrets will she reveal? Is there an escape from the other side of the grave?

Verdict: Thumbs up. A strange, fun, bittersweet story, perfectly designed for Gaiman’s strengths as a storyteller. And Kubert was a great match for this story — his artistic style makes the whole thing look modern, gritty, and classic all at the same time, where a popular, more glossy artist would’ve killed the mood. If you didn’t get a chance to read the first part of this story, you might wait to see if DC is going to put out a collected paperback of this story, to go with the paperbacks of Alan Moore’s “Whatever Happened to the Man of Tomorrow?”

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Astro City: The Dark Age, Book Three #1

Charles Williams, former cop, and Royal Williams, current hoodlum, are on the trail of the man who killed their parents many years ago during a superhero battle. But now it’s 1982, in the midst of the darkest period of Astro City’s history. No one trusts superheroes, and the superheroes don’t care much about the people of the city either. We get to see the debut of the new Cleopatra as she helps defeat a villain called the Hellsignor, then we follow Royal, undercover as a henchman at a training camp for the evil Pyramid organization. He’s able to avoid the indoctrination treatments as he tries to track down his parents’ killer. But will he be able to continue his investigation when the authorities raid the camp — and when he learns that Pyramid suspects his treachery?

Verdict: Thumbs up. It’s been a long time since the last issue of this one, but I’d forgotten how much I liked the Williams brothers. The Pyramid stuff is a nice glimpse into the world of the Hydra/Cobra-style organizations. As always, Kurt Busiek brings a great story and excellent dialogue, and Brent Anderson provides the excellent artwork we’ve come to expect from him.

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Robots and Monsters and Vampires, Oh My!

Atomic Robo and the Shadow from Beyond Time #1

Atomic Robo, the wiseacre, action-packed atomic-powered robot created by Nikola Tesla, is back for another pulp-flavored adventure, this time set in 1926. Robo is studying for his physics doctorate when he gets some unwelcome visitors — fantasy/sci-fi/horror author H.P. Lovecraft and weird-phenomena researcher Charles Fort. Many years ago, Lovecraft, Fort, and Lovecraft’s father worked with Tesla to banish a cosmic horror from Earth, but it’s coming back — or it’s been here all along… With Tesla unavailable, can Robo help Fort and Lovecraft before it’s too late?

Verdict: Thumbs up. First, anything that teams a snarky robot with Charles Fort and H.P. Lovecraft is guaranteed to appeal to me. And though this issue is extremely talky, it’s also a great deal of fun. The first few pages, with Lovecraft gibbering along with his over-the-top pseudo-racism about Robo’s pygmy ancestry, is extraordinarily funny. If the rest of the story is as good as the first issue, I’ll be glad to come along for the ride.

Fin Fang 4 Return! #1

This has its genesis in a story a few years ago where a bunch of giant monsters from Marvel’s ’50s era, Fin Fang Foom, Googam, Elektro, and Gorgilla, decide to reform, are reduced to human size, and take up jobs in the human world. So here we’ve got this short anthology of stories — first, the Hulk’s pal Doc Samson tries to psychoanalyze the quartet of monsters. Next, Fin Fang Foom’s job as a chef at a Chinese restaurant leads to an unexpected cure for baldness and an equally unexpected loss of the cure for baldness. After that, Gorgilla goes time-traveling and save Abraham Lincoln from assassination; Googam tries to get adopted by a Hollywood starlet to fund his quest for world domination; and the robotic Elektro gets mistaken for a completely different Electro. Finally, there’s a reprint of a Christmas story as Fin reluctantly teams up with Dr. Strange’s assistant Wong to stop Hydra’s giant evil Santa Claus robot.

Verdict: Thumbs up. Yes, it’s silly and inconsequential. I like stuff that’s silly and inconsequential.

Captain Britain and MI-13 #12

Dracula and his army of vampires are continuing their war on England and MI-13. Spitfire, because of her vampiric heritage, is helpless to resist Dracula’s orders and is forced to kill a civilian in Dracula’s castle on the moon. The rest of the team, meanwhile, is trying to track down a magical artifact — the skull of Blade’s old friend Quincy Harker, enchanted to prevent vampires from entering Britain unless they’re specifically and individually invited. Unfortunately, Dracula’s centuries of unlife have made him one of the greatest military minds ever, and he’s thinking several steps ahead of MI-13.

Verdict: Thumbs up. Good bloodsucking fun. My only regret about this one is that Dracula isn’t nearly as pompous or long-winded as he was in the classic ’70s series “Tomb of Dracula.”

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Deadlines and Breadlines

(VERY IMPORTANT UPDATE AT BOTTOM OF POST. SERIOUSLY, CHECK IT OUT.)

I’ve still got a nice, tall stack of comics to review, but there are just days ya gotta unpack the rants.

So I get a call last week from a newspaper I’d sent a job application to. Some poor lady on the other end of the line was asking if I wanted to work for them.

Now I’m not anti-newspapers — I’ve worked for several of them in the past and generally enjoyed my jobs there — but we’re all very aware of how unstable the newspaper biz is right now, and I’d long ago decided that any newspaper that called me to talk jobs was going to have to stand up to me quizzing them hard about their financial stability. Yes, part of my strategy is to scare them off from me if they think I’m too aggressive for them — better that than to move several hundred miles away and then get laid off again.

Anyway, the person I was talking to flunked the test bad. She told me they were going to survive — their parent company wasn’t doing so well, but the actual paper was healthy and was the only paper in town, so they just couldn’t possibly close, and they’d already been cut back to the bone, so there was nothing else that could be cut anyway. When I told her that the A-J was pretty healthy, was the only paper in town, and had gone through a number of cutbacks, and it still hadn’t kept me and a bunch of other people from being laid off, she didn’t have much to say.

Then I asked about the salary, and she told me it paid $10 an hour. I told her not to consider me for the position any longer.

Listen, y’all can consider the source on this — I’ve worked at a couple of newspapers and several radio stations, but never in a position of management, never as an editor, never as a publisher… but there are two major things that newspapers are doing wrong right now.

* Underpaying the employees. The newspaper I talked to is a picture-perfect example. They want to hire smart reporters who’ve got all the right education, who’ve spent a few years in college earning their journalism degrees, who they’re relying on to enhance their reputation as on-the-ball members of the journalistic community — and they want to pay them fast-food wages. If some guy walked in off the street, high school dropout, no real skills, no previous writing experience, they’d tell him to get lost. They’d insist that he had to have the education in order to get their poverty-level job. Heck, I’ve got a Masters degree, over a decade of writing experience, and previous newspaper employment, and they still thought I’d be willing to accept $20,000 a year.

This is insane.

I’m not saying reporters should be paid $100,000 a year. But there’s no reason to force skilled, highly educated employees to work their butts off for crap wages. If you can’t afford to pay reporters enough to keep them out of the poorhouse… then just quit. Seriously. Shut down the paper, open up a McDonalds franchise, and you can pay high school kids minimum wage all day long. Eventually, some smart businessman will realize that he can keep a newspaper open, informative, and profitable while still paying the employees enough to keep them and their families comfortable.

* Overpaying the columnists. I’m dumb enough to read a bunch of the columnists at the big national papers. I know, I know, it elevates my blood pressure and just makes me cranky and foul-tempered all day. These guys get paid millions of dollars a year to blather nonsense and lies all over the editorial pages, they go on TV and blather, they go to DC cocktail parties and yuck it up with their fellow multimillionaire columnists, they’re considered big media stars, important opinion-leaders, and their invented bulldada is quickly picked up as the Conventional Wisdom that fuels the talk-show screamathons.

Honestly, they should all be fired. Use their bloated salaries to try to stabilize the newspapers, boost salaries a bit, invest in some new strategies to make journalism profitable. But 95% of the big national editorial columnists are useless hacks who couldn’t keep a job if it weren’t for their guaranteed no-fire positions.

You wanna really see some improvement? Take David Broder, Maureen Dowd, Richard Cohen, Charles Krauthammer, Jonah Goldberg, Jake Tapper, Joel Stein, Thomas Friedman, George Will, Jeffrey Rosen, and the rest of the no-talent brigade, tie them to the outside of a rocketship using rusty barbed wire and a staplegun, and fire them into the sun. They’re an embarrasment, and they’re a drain on the finances of an industry that can’t afford their prima donna salaries.

Obviously, there’s more stuff wrong with the modern practice of corporate journalism that I don’t have time to get into. They spent way too long standing in White House briefing rooms saying “WMDs in Iraq? Wow, I totally believe you” and haven’t yet come up with any way to convince us that they’re not going to keep believing whatever lame bullcrap some monied storyteller invents for them. The national papers seem to be run solely to put more reporters on TV. Too many seem to prefer to resent the Internet instead of figuring out how to make it work for them. A lot of them would seem to rather chew their own hands off than report anything negative about public officials or other prominent media pundits. But again, I could go on and on and on about this, and still not get done with my list of pet peeves, so I’ll stop right here.

That’s my two cents anyway.

UPDATE/CORRECTION: According to an e-mail from someone claiming to be Jake Tapper: “i’m a correspondent for ABC News, not an editorial or opinion writer for a newspaper….”

Duly noted. Jake Tapper is, in fact, the Senior White House Correspondent for ABC News. He’s still not getting off the side of that rocket-to-the-sun, ’cause spending your day googling yourself when you should be covering the White House for ABC News would seem to be picture-perfect proof that you’re getting paid too much for not working enough. Unless he’s got some really good questions for Robert Gibbs in today’s press gaggle — and not just the usual “Whyyyy did Wanda Syyyykes have to be so meeeeean to poor iiiinnocent lamb Rush Limbauuuugh?” — then I’m expecting a note on ABC News President Robert Westin’s desk with an explanation about why you’re wasting company time surfing comic book blogs.

(Unless, of course, Jake Tapper didn’t really send me an e-mail. In which case, Jake, someone’s spoofing yer e-mail addy!)

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"I like this ship! It’s exciting!"

startrekmovie

Star Trek

Yeah, it’s movie-review time again.

As you’ve already heard from every other reviewer in the universe, the new “Star Trek” movie is pretty spectacularly awesome. I’m not a big enough Trekkie to have made the first showing (I’ve got a severe allergy to people who show up for movies wearing costumes), but my brother and I took a break from installing insulation Sunday afternoon to hit the theater. I’d been taking the early reviews with a grain of salt — I remember how wildly enthusiastic the “Star Wars” fans were when “Phantom Menace” hit the big screen — but I got won over very fast.

No spoiler here — all the action here takes place in an alternate universe from the standard “Star Trek” continuity, which gives the filmmakers the opportunity to reboot classic “Star Trek” into something new for the 21st century. And even better, they gave the whole thing to a guy with no connection to previous “Star Trek” movies — J.J. Abrams, a dude who is best known for producing and directing action movies and wildly complicated TV shows. As a result, you get a movie that, while very respectful of classic Trek’s history and performances, doesn’t feel duty-bound to precisely replicate them, especially when audiences would rather enjoy some brawling, some stuntwork, some thrills, and some shocks.

I was expecting the least from Chris Pine, the guy who was picked to play the new version of James Kirk, but he ended up being the best surprise — he doesn’t try to channel William Shatner, but he does bring the essence of Kirk — the brash, cocky, womanizing bad boy — to the screen. Zachary Quinto as Spock, Karl Urban as Dr. McCoy, Anton Yelchin as Chekov, and especially Simon Pegg as the uncommonly funny Montgomery Scott are pretty much perfect, and everyone else is really close to perfect. Eric Bana’s genocidal Romulan Nero is an extraordinarily appealing character — party psycho, part charmer (I’m wildly in favor of his initial greeting to Captain Pike), and almost as good a villain as Ricardo Montalban’s Khan Noonien Singh or Christopher Plummer’s General Chang.

I’ve seen some complaints that it’s got too much action. I’d consider that a legitimate complaint if it was bad action or pointless action, but it’s not. It’s good action that serves the plot and doesn’t get in the way of character development. Yes, McCoy, Sulu, Scotty, and other characters don’t get as much screen time as Kirk, Spock, and Uhura — I certainly would’ve loved to see Pegg and Urban get some more time in front of the cameras. But this is an ensemble cast — there’s just no way to make sure all of them get equal time.

I think it’s a great movie, and a great way to reboot the series. I’m looking forward to the sequels.

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Friday Night Fights: Classic Clobbering!

Another long work-week has passed, and it’s time once again for that time we all love the most: FRIDAY NIGHT FIGHTS!

Tonight, we’re going all the way back to May 1939 for Detective Comics #27, by Bill Finger and Bob Kane. In the first appearance of the Dark Knight, Batman slugs murderous industrialist Alfred Stryker in the jaw, knocking him into a vat of acid…

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SOCK!

That artwork was actually taken from a collection called Batman in the Forties. No, I don’t actually own the first appearance of Batman — if I did, I doubt I’d be so worried about job-hunting…

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Blondes Have More Fun

Power Girl #1

The bestest blonde bombshell in comics finally gets her own ongoing series. And it’s got art by Amanda Conner! This is fantastic news all around.

Power Girl is settling in at her new hometown, New York City, and re-starting her old secret identity as Karen Starr, owner of Starrware Labs. But the Big Apple gets invaded by rampaging robots that transmit — for lack of a better word — bad vibes, and PeeGee gets captured by the Ultra-Humanite. What’s the evil brain-swapping super-ape gunning for?

Verdict: Numerous enthusiastic thumbs up. Yay, an ongoing series for Power Girl! Yay, art by the impossibly awesome Amanda Conner! All that plus lots of great character moments for Karen Starr and her employees. And a nice cliffhanger with the Ultra-Humanite, too. Go pick it up!

Supergirl: Cosmic Adventures in the 8th Grade #6

A great series ends here — hope they eventually pick it back up for an ongoing.

The school principal has revealed his big secret — he’s secretly Mr. Mxyzptlk in disguise! And he plans to destroy both the Third and Fifth Dimensions to give himself ultimate power! Belinda Zee has been turned into a statue, Supergirl’s time-traveling future self has been pulled back to the future, Superman and Lex Luthor have been turned into two-dimensional crayon drawings, and it’s all up to Supergirl and Lena Luthor to put their differences aside and save the world. I’d say more, but I don’t want to give away too much, ’cause it’s awfully good.

Verdict: Another colossal thumbs up. Vast, insane fun. I’m pretty irritated that this one is over already, and I really hope they come back with a good sequel. Landry Q. Walker and Eric Jones deserve tons of credit for crafting this impossibly charming and fun series. If you haven’t gotten it already, keep an eye out for the trade paperback.

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Myth Busters

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B.P.R.D.: The Black Goddess #4

There’s an awful lot of back-and-forth going on here. Johann Kraus is sneaking into the hidden city, dragons are aiding the soldiers and warrior monks against the frogs and sub-humans and giant bugs, and Memnan Saa tells stories of ancient myths to rationalize his plans to save only a tiny portion of humanity from the invaders.

Verdict: Thumbs down. The fight scenes are good, and Memnan Saa has one very good badass moment, but this story has been going on for a long, long time, and it should’ve been over by now.

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Wonder Woman #31

Well, Hippolyta’s former honor guard allies itself with Ares, while Wonder Woman gets weepy about Etta Candy and gets comforted by Dr. T.O. Morrow, of all people. Achilles and his crazy Greek dudes attack the UN, and a nurse gets possessed by Athena to prophesy various dooms and reveal that Genocide is actually the future dead body of Wonder Woman herself. Wondy also smacks Achilles around a little and then punches out a nuclear bomb.

Verdict: Thumbs down. Even the bit with the nuke ended up dull, and the rest of it was really beyond boring. This is another story that has gone on way, way too long.

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Ants in your Pants

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Marvel Adventures: Super Heroes #10

Dr. Henry Pym loses out on a warehouse job he really needed — and so does Flint Marko, better known as the Sandman. When Marko robs the warehouse to get revenge, can Pym’s shrinking powers as Ant-Man and his hordes of ant buddies help him stop the Sandman before it’s too late?

Verdict: Thumbs up. Hank Pym makes a great hard-luck superhero here. The ants are funny, his relationship with Janet Van Dyne is amusing, and the job interview at the beginning of the story — where Pym and Marko get beat out for the warehouse job by a pencil-necked geek named Irving Forbush — is definitely a keeper.

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Marvel Adventures: The Avengers #35

Storm, Giant-Girl, and Tigra are out-of-town for a few weeks, so the guys on the team are living it up and making colossal messes. And the biggest mess is made by Hawkeye, who signs up for a dating website and accidentally uploads the whole team’s info to the site as well. Soon enough, the Avengers are swamped by the city’s most eligible bachelorettes. Unable to get any crimefighting done, they go to the headquarters of the Lover’s Leap website and find that it’s being run by Batroc the Leaper. Batroc the Leaper?! Why is Batroc the Leaper running a dating website?! Who cares, it’s completely hilarious, so I completely approve. Anyway, Batroc persuades them to go on just a few dates before he’ll remove their info from the site. But of course, Batroc doesn’t play fair…

Verdict: Thumbs up. Very funny stuff, and of course, Batroc is always good for some fun. But I think my favorite panel is this one:

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Please note the “Snikts” at the bottom of the panel. Wolverine is not apparently a fan of yappy dogs.

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